Senin, 06 Juli 2009

Pembuatan Batik Madura


The process is: the Mori Kain white soaked in water mixed with oil and ashes near the rest of the wood burning stove. Soaked for one to two weeks.

The second wash. Washing is done to remove the substance attached to the cloth from the factory default.

Third: After a dry cloth, the Peng-an-starch begins. Materials used are from the sago Cassava, Due to absorb more fiber in the cloth.

Fourth: drawing patterns on the cloth. Sketsa motif that will be described in the start dibatik cloth that has been be this.

Fifth: The night started on the cloth is done through a process diisen, dikurik, and / or walled.

Sixth: Tint batik cloth. This can take up to two times. But for the batik cloth genthongan process pewarnaannya be longer because the process is done in a way coloring in rendam in the vessel gentong for months and even up to the annual. Because of the long process of soaking is done, the fabric color will be tough and strong on cloth attached during tens of years without decreasing the quality of color during the treatment process and storage is in accordance with the recommended.

Process Seventh: Kain batik akan dilorot. Namely to remove the night attached to the cloth, how to incorporate the fabric into boiling water.

After brushing the batik cloth in the colors that can be strong and stick with the process followed by drying under the blazing sun.

TIPS MERAWAT BATIK


Batik is one of the Traditional Design & Fashion Traditional cultural heritage of invaluable. Batik material now not only using mori fabric only, but also of cotton, silkworm fiber, pineapple fiber, and other. Batik for treatment, especially Batik Fashion writing from natural fiber materials, need to be fixed so that the batik lasting, durable, color does not look pale and still beautiful.

According to the Online acc batik Daud Wiryo Hadinagoro, things to note are:
- When washing Fashion Design batik not rubbed. Do not use detergent. Batik if not dirty enough to be washed with hot water. Meanwhile, if dirty, for example, is exposed to food stains, can be removed with soap or bath when the gross once, such as the exhaust is exposed to filth, stains can be removed with the orange skin with soap or orange peel on the dirty part.
- After missing the dirt, sunbathe in the shade. No need to rack or cloth Batik Fashion Batik menjemurnya before. However, at the time of season, part of the fabric edge Traditional Batik drawn quite slowly so that the fiber terlipat back as they are.
- We recommend avoiding penyeterikaan. If too disheveled, semprotkan water in Batik Painting on cloth and place it in a cloth covering the top of batik is a new iron. Thus, the iron is in the cloth in the top of the batik cloth or Traditional Design & Fashion Traditional.
- It is recommended to save the Fashion Design batik in plastic to prevent moth-eaten. Do not be camphor, because the solid is too hard so that it can damage the Batik. Should, where almari store Batik Painting given a pepper wrapped with tissue to drive moth. Alternatively use the fragrant root of the previously used dye in hot water, then dried, and dyed again in hot water and dried. After fragrant dried roots, the new use.

Sejarah Batik Solo

History pembatikan in Indonesia closely related to the development of the kingdom of Majapahit and the spread of the teachings of Islam in the Land of Java. In some notes, the development of batik is done many times in the kingdom of Mataram, and the work of Yogyakarta and Solo.

So this batik art in Indonesia has been known since the times of work and growing Majapahit kingdom and the kings next. The expansion began this batik art become the property of the people of Indonesia and Java in particular tribe is after the end of XVIII century or early-to-XIX centuries. Batik is produced until all batik-century to early XX and cap batik, known after the war a new world out kesatu or around 1920. The connection with the dissemination of the teachings of Islam. Many areas in central Java is perbatikan areas santri and then become a tool perjaungan Batik by economic figures pedangan against Muslim Dutch economy.

Batik art is art in the image on the cloth for clothing that was one of the cultural kings before the era of Indonesia. Originally batik is limited only in the Palace and the results for the king's clothes and the family and its followers. Because many of the cohort who live outside the king's Palace, the batik art is carried out by them and the Palace are ditempatnya each.

Old-old batik art is imitated by the people nearest and further extended the work to be women in the household to fill leisure time. Next, batik was the only family clothing Palace, and then become something that people tune, both women and men. Of white cloth that is used at that time is the result of the texture itself.

Materials are used coloring of plants native to Indonesia made from, among others: tree mengkudu, high, soga, indigo, and sodanya made from soda ash, salt and made from tanahlumpur.

Jaman Majapahit Batik has become a culture in the kingdom Majahit, pat be in the area of Mojokerto and Tulong Court. Mojoketo region is closely related to the Majapahit kingdom during the origin and first name Majokerto related to Majapahit. Relation to the development of batik Majapahit origin developing in Tulong Court pembatikan development is the history of this area, can be extracted from the legacy of the age in the kingdom of Majapahit. At that time the area Tulungagung part consists of swamps in the history of the famous name of Bonorowo, which at the time of Majapahit bekembangnya area occupied by a benama Adipati Kalang, and not subject to the kingdom of Majapahit.

Told that in the action polisionil been by Majapahati, Adipati Kalang killed in the battle seems dikabarkan around the village that is now called Kalangbret. Thus the officers of the kingdom of Majapahit and keluara who lived and live diwilayah Bonorowo or Tulungagung now called, among others, also bringing the arts to create original batik.

Pembatikan in the area now located in Mojokerto Kwali, Mojosari, and Betero Sidomulyo. Outside the region is in the Mojokerto Regency Jombang. At the end of the XIX-century to have some people that is known for batik craft in Mojokerto, materials used at that time a white woven fabric itself and the medicines from batik soga jambal, mengkudu, nila tom, and so forth.

Drugs outside the country after the new world war kesatu sold by Chinese traders-traders in Mojokerto. Batik cap, known along with the entry of drugs from abroad batik. Cap made in Bangil-entrepreneurs and businessmen can buy batik Mojokerto dipasar Porong Sidoarjo, Porong this market before the economic crisis the world is known as a bustling market, where the results of batik production Kedungcangkring and sold many Jetis Sidoarjo. Time the economic crisis, the batik Mojoketo join paralysis, because the majority of small-business entrepreneurs. Activities after the crisis arising pembatikan back to Japan to enter Indonesia, and the Japanese occupation of pembatikan paralyzed again. Activities pembatikan appear again after the revolution which has become the Mojokerto occupation.

Typical of batik Kalangbret of Mojokerto is almost the same as the output batik-batik of Yogyakarta, which is basically white and brown color coraknya young and old blue. Which is known since more than seabad the place pembatikan didesa Majan and Simo. This village also has a history as a holdover from the era of Prince Diponegoro years of war in 1825.

Although pembatikan known since time Majapahait but the development of batik start since spread rapidly didaerah and Surakarta, Central Java Yogyakata, at the time the kingdom in this region. Indeed, it appears that the development of batik in Mojokerto and Tulong Court over the next dipenagruhi pattern batik of Yogyakarta and Solo.

Clash between berkecamuknya in the army with the Dutch colonial army troops-some of the prince Diponegoro's troops-troops Kyai Mojo bow out towards the east and until now the Majan. Since the era of Dutch colonial era to the independence of this village are Majan village Merdikan (Special Region), and the head of a village priest who Uirun status-temurun.Pembuatan batik Majan is instinct (survival) from the art of making batik is Diponegoro war era.

Color babaran batik Majan and Simo is unique because of the color babarannya red light (from the skin mengkudu) and color from the other tom. Setra as batik since erst famous village also didaerah Sembung, that the majority of the batik comes from the Sala Tulungagung come in at the end of the XIX-th century. Only now there are still several families from the Sala pembatikan who lived didaerah Sembung. Apart from places tesebut there are also areas in Trenggalek pembatikan and also some in Kediri, but the nature pembatikan part of the household and babarannya batik.

The Islamic era in the history pembatikan East Java is in Ponorogo, which kisahnya related to the spread of Islamic teachings in this area. History of Batik. Mentioned problems batik art didaerah Ponorogo closely related to the development of the religion of Islam and kingdoms first. Perhaps, in the area Batoro Katong, there's a descendant of the Majapahit kingdom Katong Raden Raden Patah's younger brother. Batoro Katong is what brought Islam to Ponorogo petilasan and now is that there is a mosque didaerah Patihan Wetan.

Selanjutanya development, in Ponorogo, Tegalsari in areas that have a boarding diasuh Kyai Hasan Basri or known as Kyai Tegalsari Court. Pesantren Tegalsari than teaching Islam also teaches science ketatanegaraan, science, literature and war. A disciple of the famous field of literature is Tegalsari Raden Ronggowarsito. Kyai Hasan Basri is taken by a son-king Kraton Solo.

Batik art at that time limited in the new environment Palace. Because my daughter Solo palace became the wife of the Kyai Hasan Basri dibawalah to Tegalsari and followed by escort-pengiringnya. besides that there are families Kraton Solo dipesantren this study. These events bring the art out of the Palace bafik to Ponorogo. Young people are educated in Tegalsari if this is out, people will donate in the dharma batiknya in the fields of religion and kepamongan.

Regional perbatikan long that we can see now is the area that is Kauman Kepatihan Wetan from here and now extended to the villages Ronowijoyo, Mangunsuman, Kertosari, Setono, Cokromenggalan, Kadipaten, Nologaten, Bangunsari, Cekok, and Ngunut Banyudono. That time the drugs used in the pembatikan is made in the country's own timberman among others; tree tom, mengkudu, wood high. While kainputihnyajugamemakai material made from weaving pickaback. White import bam, known in Indonesia about the late 19 th century.

Making batik Ponorogo new cap in the world after the war that brought the first by a Chinese named Kwee Seng's Banyumas. Regional Ponorogo early 20th century famous batiknya in indigo coloring that does not fade and that is why the batik-entrepreneur from Banyumas Solo and provide employment to many entrepreneurs in the batik-entrepreneurs Ponorogo. Dikenalnya due to the production of batik cap Ponorogo petama the world after the war until the outbreak of war with the world's second famous batik is batik cap kasarnya mori blue. Market batik cap rough Ponorogo and famous throughout the country.

Batik from Yogyakarta and Solo-work in the kingdom of Solo and Yogyakarta sekitamya century 17.18 and 19, batik and developing area, particularly in the area of Java. Originally batik simply hobby of royalty in titivate through clothing. However, further development, community pleh batik perdagamgan commodity to be developed.

Batik Solo, the color and pattern in the process of traditional batik cap or in the batik tulisnya. The material used for coloring is still a lot of the materials in the country such as soga Java is well known that since the first. Patterns, among others, remain popular with the "Sidomukti" and "Sidoluruh".

While Origins pembatikan didaerah Yogyakarta, known since the kingdom of Mataram to-I with a raj any Panembahan Senopati. Regional pembatikan first is didesa Plered. Pembatikan at that time limited in the family environment is done by the Palace women parlormaid queen. From here on the broad pembatikan first trap on the other Palace family of wife and servant of the palace-army. At the official ceremony the family kingdom Palace both men and women wearing clothes with kombonasi batik and lurik. Because of this kingdom get visits from people and people interested in the clothes-clothes that are used by the family and the Palace imitated by the people and eventually meluaslah pembatikan out of the Palace walls.

As a result of the war time period between the first family of kings and the former Dutch colony, many families who flee the king and didaerah-settling, among other new areas to Banyumas, Pekalongan, and kedaerah East Ponorogo, Tulungagung and so forth. Meluasny a pembatikan this area until kedaerah-region according to the historical development of the struggle of Indonesia to begin the century-18. Families flee Palace which is what the pembatikan all over the island and the existing natural and developed according to the new area.

Prince Diponegoro war against the Netherlands, urged the prince and his family and their followers to leave the kingdom. They then spread to the East and West. Then in the areas that the new family and develop a cohort prince Diponegoro batik.

East to Solo and Yogyakarta batik perfect batik patterns existing in Mojokerto and Tulong Court. It also spread to Gresik, Surabaya and Madura. Are to the West berkem batik-bang in Banyumas, Pekalongan, Tegal, Cirebon.

Batik development in other cities in the development of batik Banyumas is based in the region brought about by Sokaraja cohort-cohort Diponegero Prince after the battle space-inya year 1830, most of them ap-menet Banyumas didaerah. Followers that the time was famous and he Najendra develop batik dye in Sokaraja. Materials used mori results homespun and drug use pewama tom tree, tree mengkudu pace and gave the red kesemuan yellow.

Long run pembatikan crawling on people Sokaraja and at the end of the XIX century to relate directly to pembatik didaerah Ponorogo and Solo. Regional pembatikan in Banyumas already known since the first motif and wama and especially now called batik Banyumas. After the world war began kesatu pembatikan also be done by China in addition to their trade batik material.

Similar to pembatikan in Pekalongan. The cohort Prince Diponegoro who lived in this area and develop business in the batik sekitara coastal areas, namely in the area other than their own Pekalongan, batik grow rapidly in Buawaran, Pekajangan and Wonopringgo. There is pembatikan in these areas almost simultaneously with pembatikan other areas around the XIX-th century. Pembatikan didaerah-development of the region than outside of Yogyakarta and Solo in close conjunction with the historical development of the kingdom of Yogyakarta and Solo.

Pembatikan spread out from the Palace after the end of war The Palace and the many families who move outside the area kedaerah-Yogya and Solo because they do not want kejasama with the colonial government. Palace is a family-entrant kedaerah new followers, and there continues to batik craft and then proceed to a main job.

Batik pattern in this new area is also adjusted with the surrounding area. Especially viewed from the Pekalongan and the process is influenced by many designya batik from Demak. Until the beginning of the XX-th century the process is known pembatikan batik morinya with artificial materials in the country and also import some. After the war new world kesatu known batik stamp fabrication and use of medicines made abroad Germany and the UK.

In the early 20th century was first known in Pekajangan is pertenunan that produce stagen thread and simply dipintal own. Some years later a new pembatikan who are known by the people who work disektor pertenunan this. Growth and development pembatikan more rapidly from pertenunan stagen and ever-labor in the sugar mill and Wonopringgo Tirto fled to batik companies, because the higher wages of sugar factories.

Pembatikan are known in Tegal end of the XIX-th century and that the time used home-made which is taken from plants: pace / mengkudu, indigo, soga wood and homespun kainnya. Color Tegal batik was first sogan and babaran gray after the indigo plant, and then increased to a red-blue color. Tegal batik market was already out, among other areas West Java brought by the businessman-entrepreneur in the way their feet and this is the history of batik in the Tasik Ciamis and adjacent settler-migrants from other cities of Central Java batik.

At the beginning of the XX-th century is known mori import and import medicines known after a new world war kesatu. Entrepreneur-in Tegal batik entrepreneurs mostly weak in capital and raw materials obtained from the Pekalongan and with credit and batiknya sold in China that provide the raw material is credit. Time the economic crisis pembatik-Tegal pembatik participate lethargic and snappy new back around 1934 years until the beginning of the second world war. Japan entered the time of death pembatikan again.

Pila thus pembatikan history Purworejo in parallel with the Kebumen pembatikan in Yogyakarta that is coming from around the XI century. Pekembangan batik handicrafts in Purworejo Kebumen compared with the more rapid in Kebumen. Production together with the Yogyakarta and other areas Banyumas.

While in the Bayat area, Sub-Tembayat Kebumen Klaten is located approximately 21 km to the East of the city Klaten. Bayat this area is the village that is located dikaki but the land is barren mountains and a minus. This area, including environmental Karesidenan Kabupaten Klaten and Surakarta and the history here pembatikan certainly closely related to the history of the kingdom of Surakarta Palace first. Bayat villages now have pertilasan that can be visited by the population in certain times of "grave of Sunan Bayat" in the top of the mountain Jabarkat. So pembatikan didesa Bayat is already there since the times of work first. Employers in the batik-entrepreneurs Bayat was most of the batik craft and labor in Solo.

Meanwhile, in Kebumen pembatikan known about the early XIX century-which was brought by immigrants, immigrants from Yogya in order to spread the religion of Islam, among others, which is known: PenghuluNusjaf. He is what the batik and Kebumen in the first place is to settle the East Lukolo time now and there are also monument to the efforts he mosque. The process of batik in Kebumen lantern-called brother or Blambangan and the process is done in the last Banyumas / Solo. Around the beginning of XX century-used to create patterns that turmeric capnya made of wood. Motives Kebumen is: trees, birds-burungan. The material used is the other tree pace, and kemudu nila tom.

Use of medicines imported in Kebumen known around 1920 that introduced by Bank Rakyat Indonesia employees who leave akhimya materials preparation itself, because to save time. Use of the copper cap is known around the year 1930 brought by Purnomo of Yogyakarta. Regional pembatikan in Kebumen is didesa: Watugarut, Tanurekso a lot and there are several other villages.

View the defection-defection existing and stories that come down from earlier generations, it is estimated didaerah Tasikmalaya batik known since the era of "Tarumanagara" where survival is the current number of trees there Tarum obtained useful un-tuk that time of making batik . Heritage village that now there is still pembatikan dikerja-kan is Wurug with the famous batik kerajinannya, Sukapura, Mangunraja, Maronjaya and Tasikmalaya city.

First center of government and the crowd is the famous village Sukapura, Indihiang located dipinggir Tasikmalaya city now. Approximately the end of the century to the beginning of the XVII and XVIII century-a result of the war between the kingdoms in Central Java, many of the local population: Tegal, Pekalongan, and Ba-nyumas Holy kedaerah wander the West and settled in Ciamis and Tasikmalaya. Most of them this is the batik-entrepreneurs to the region and towards the West to trade batik. With the advent of this new, dikenallah next pembutan good use soga originally from Central Java. Batik Tasikmalaya production now is a mix of original batik-batik Pekalongan, Tegal, Banyumas, Holy of divers patterns and colors.

Pembatikan known in Ciamis around XIX-century after the war Diponegoro, where cohort-cohort Diponegoro many who leave Yogyakarta, to the south. Some who have settled didaerah Banyumas and there are some who continue to travel south and settled in Ciamis and Tasikmalaya now. They wander about with this keluargany a new place and settle into the setting and continue to live and work. Some of them have the expertise in the craft pembatikan as household work for women. Long run this work can be developed on the surrounding population due to the association's daily or family relationship. The material used for homespun kainnya results catnya and materials made from trees such as: mengkudu, tom tree, and so forth.

Motif batik Ciamis results are mixed, batik from Central Java and its own regional influence, especially Garutan motifs and colors. Until the early-to-early XX century in Ciamis pembatikan developing little by little, from their own needs into the production market. Are in the area of Cirebon batik kaintannya have with the kingdom in the aerah, namely Kanoman, Kasepuahn and Keprabonan. The main source of batik Cirebon, same case as in Yogyakarta and Solo. Batik Palace show environment, and carried out by palace servant who live outside the Palace. Kings relic pleased with paintings, and before the cotton yarn, painting is placed on the leaf Lontar. This is going around to the XIII century. This pattern is associated with batik-style on the texture. Characteristic of batik Cirebonan It is a great symbol image bermotifkan forests and wildlife. While the sea motif because the nature of thought dipengaruhioleh China, which the sultanate of Cirebon first daughter had changed China. Sementra batik Cirebonan garuda because the image is influenced by the motif batik Yogya and Solo.


thebatiksolo.wordpress.com

Minggu, 05 Juli 2009

KAIN BATIK

Batik has a variety of motives. Not only from within the country, batik is coming from overseas, such as Russia.

In Indonesia alone, batik motif also varies, such as batik, Jogja and Solo batik. Even though both use ukel-cement and cement, but this is actually two different batik. The difference is the color. Batik Jogja white with black stripe, while the Solo batik yellow color with no white.

Use of this batik cloth is different. Palace in Yogyakarta, there is a rule that grip on the use of this batik cloth. For wedding, batik cloth used to be motivated Sidomukti, Sidoluhur, Sidoasih, Taruntum, or Grompol. While for the event mitoni, batik cloth that may be levied is batik cloth pattern Picis Ceplok Garudo, Parang Mangkoro, or Gringsing Mangkoro.

Currently, batik has become a new trend in the middle of the community. Not only clothing that uses batik as a fabric material. Pillowslip, gordyn, sheets and has no use of batik cloth. This is the beginning of the first well for the preservation of batik art. Originally must love first, then think andarbeni appear (have) and finally nguri-uri (preserve).

Awareness of this has started and continues to be encouraged. Batik Tamanan Palace was formed specifically to make patterns for the Kraton Yogyakarta.

BATIK MOTIF JLAMPRANG

batik with Jlamprang motif or in Yogyakarta with Nitik name is one that is quite popular batik produced in the region Krapyak Pekalongan. Batik is a development of this motif fabric Potola of India in the geometrical form of stars or sometimes the wind and use the twig ends quadrangular. Batik Jlamprang enshrined this into one of the roads in Pekalongan.

BATIK MOTIF TRUNTUM

motif batik truntumbatik truntum model is from batik motif that symbolizes the love that is being sprout a pair of two lovers. This motif created by the queen of the kingdom in jogja who are enamored of a king, who at first are now fed in by the king to leave and have a new sweetheart, a feeling of heart that is created truntum batik motif. The queen does not make a conscious motive stars in the dark sky, which during this menemaninya in solitude.
Perseverance in the Queen to make to attract the King and Queen begin to see the approaching batik maker. Since then the King is always monitoring the development of the Queen pembatikan, little by little affection for the King of Queen grow back. Thanks to the motif is the king of love sprout again, or tum-tum back, so that this motif be named Truntum, as a symbol of love for the King re-sprout

BATIK SIDO ASIH BUAT PENGANTEN

Sido Asih

Each traditional batik motifs on the classic philosophy has always segregated. In the Batik motifs, especially from local and central java, especially Solo and Yogya, each image has a meaning. This is related to the meaning or philosophical significance in the Hindu-Javanese culture. In the motif is considered a sacred and can only be used on a particular occasion or event, including the ceremony of marriage.

Sido Mukti motif-usually used by the men and women at the wedding, also called as Sawitan (pair).
Sido means continuously or Mukti means and living in the street and happiness. so it can be persuasive melambangka hope this will be the future of the good, bridegroom.
In addition there are also Sido Mukti motif Sido Asih which means living in love.
There's more Sido Mulyo motif that means living in the glory and Sido Luhur meaning in life is always noble.
There is also a motif sawitan not identical, but usually use the pair yaiu motif with a pair of Queen Ratih Semen Rama, who symbolizes the loyalty of a wife to her husband.
In fact there are many more common patterns of use declaration, all created with the hope, the message, intent and good faith to the declaration.
Wedding Ceremony on the Parents of the patterns are usually truntum also means that you can lead, that means the second lead in the bride enters the vagaries of life that is new menage.
Also known motif Wirasat Sido, wirasat meaning advice, and the motive is always there is a combination of motives truntum in it, which symbolizes the parents will always give advice and guidance to both the bride enters the life of berumahtangga.

GAMBAR MOTIF BATIK TIGA NEGERI

level of difficulty to make batik piece was still not enough if we know the history of the three motifs of Batik. Three motifs of Batik Batik is a unique combination batik Lasem, Pekalongan and Solo, on the region's colonial era has its own autonomy and called the country. Perhaps if only the special blend motif each area are still reasonable and normal, but that makes this batik art has a high value is the process.
It seems according to the master of batik, water, every region has a large influence on the coloring, and this makes sense because the mineral content of water varies according to soil geographic location. So this dibuatlah batik in their respective regions. First, batik cloth is made in Lasem with the characteristic red color, like red blood, after the cloth was brought to batik Pekalongan dibatik and blue, and the last coloring brown cloth sogan unique in the city of Solo.
Given the means of transportation in those times is not as good as now, the Three Batik cloth can be said of this as one of the batik masterpiece. then if it's a beautiful batik in surreptitious patenya rights by other countries is a matter which is very painful.

GAMBAR MOTIF BATIK INDONESIA

I hope the example I created a beautiful batik motif is able to make their lovers happy and proud batik batik akan original products from indonesia, motif batik indonesia During this time the Indonesian people, especially the batik craftsmen, I think the difficulty in making a pattern / motif / batik patterns. Especially if the motive that aims to be 'fashion' yg akan worldwide. Many difficulties I faced, in terms of ideas, coloring, not to mention copyright issues (the latter is of because of the restless batik batik invasive China).

Well, apparently there are still children of the nation I think the solution to overcome this. A group from Bandung, Pixel People Project, to develop an open source application to make a batik motif. The result, a paper with the title of Batik Fractal, has successfully snatch the award.